Monday, August 26, 2013

Lotca pescareasca

Oil on wood, 40 cm x 50 cm

The Seamstress - Figurative Paintings inspired by Grigorescu

Oil on canvas, 15cm x 25 cm
After I got an album of Nicolae Grigorescu I was impressed by lights and colors he used on his paintings, however no album can be compared with originals exposed in museum's galleries.

Looking to understand his art, I made a series of paintings inspired by Nicolae Grigorescu, three of them exposed on this blog.

Landscape Paintings - Sheep at Gura Humorului.

Oil on canvas, 30cm x 23cm
On a warm day of April this year, doing tracking on wonderful hills of Bucovina, we were surprised by these sheep coming directly to us. After looking for a safe place to stay away from them we found out actually they are very friendly.

Harvest, oil painting

Oil on canvas, 20 cm x 30 cm
I painted it in oil colors on canvas, being inspired by Vicent Van Gogh, whom I admired for his vivacious determination for arts.

Zaporozhian Cossacks of Ukraine Writing a Letter in Reply to the Sultan of Ottoman Empire

Oil on canvas, 230 cm x 150 cm
Reply of the famous historic painting by Russian artist Ilia Repin (1844-1930), size 230 cm x 150 cm.  I painted it many years ago, as teenager. It does not represent my style at present time but I like to share it with you, on my gallery, because with this painting I start to take seriously my inclinations to arts, being challenged at that time by the desire to learn how to to paint in oil colors human facial expressions and body movements.
I was guided closely for all steps by my very good teaches in fine arts - my father having a uninterrupted hobby for photography techniques and my mother - who graduated the School of Fine Arts as a hobby and she continues to dedicate herself to oil painting. I managed to finish the picture in 3 months, spending one day to paint each human face and about another 2-3 days to complete the siluete and clothing.


Because painting is not standard size, frame support for canvas is hand made from pine wood in section 4 cm x 6 cm and further reinforced. I used canvas made ​ ​of linen with high density. I prefer the surface of linen for painting even is more expensive as cotton fabric because is more resistant in time. For preparing the canvas I used an emulsion prepared by an old recipe that includes white zinc powder, bone glue and boiled linen oil. I put two coats on and I use also sandpaper to polish the painting surface. The third and last layer applied was a diluted solution including also bone glue, to correct the canvas permeability. The Photographic copy of the original picture on a A3 size is enlarged to canvas using millimeter scale using paper and is transposed on canvas with carbon paper. Human figures are painted with very small sizes (widths between 0.3mm and 3mm) to reply the details, for silhouettes and clothes I used brushes between 3mm and 7mm width. Areas of painting on which I returned during painting were varnished in advance. Painting is protected with a varnish layer applied after few months of drying.

Sunday, August 25, 2013

Village during Winter Holidays

Oil on canvas, 80 cm x 60 cm
The idyllic image of a village, covered in snow and decorated with fairy lights, was for the first time a part of decorating our house for the winter holidays.

Winter Landscape

Oil on Canvas, 25 cm x 35 cm
Is inspired from an old holiday postcard, painted in 90s.

Flori de toamna - tufanele - studiu

Oil on canvas, 25cm x 40 cm
The background and the vase holder not clear defined yet (I am not using the words "not completed" because I consider a picture never is completed, all the time is something to do on it), in terms of deepness of the painting.

Buchet de flori de toamna - ochiul boului (studiu)

Oil on Canvas, 20 cm x 35 cm,Study

Buchet de flori albe de toamna in vaza rosie de pamant

Oil on canvas, 25 cm x 40 cm

Autumn in few words

Oil on canvas, 35cm x 20 cm
Painted in a hurry, my intention was to add the colored masses and after that to continue with the details.

The transparency effect of colored layers led me to stop in time...

Impressionism Influences - The Miss with Red Umbrella

Oil on canvas, 27 cm x 42 cm
Is painted in the same time with "Young Lady on the Cliff" and with the recommendation of my wife to add more summer flowers as it was my first intention and to color the umbrella in red. The effects are great.

The Mirror

Oil on canvas, 25 cm x 35 cm
Chiaroscuro in knife technique.

Saturday, August 24, 2013

Street in late November - Lights on an Parisian Boulevard

Oil on canvas, 80 cm x 60 cm

Dancing in the Carpentry Workshop

Oil on canvas, 70cm x 88 cm
The story: In a sunny winter day, grandpa receives visitors in his carpentry workshop. Under the sunlight that passes through the frozen window everyone sings and dances.

Impressionism Influences - Study for Street in late November

Oil on canvas, 40 cm x 30 cm

Actually on this small painting I was trying to catch  on canvas the atmosphere of a foggy November evening when all shop windows on boulevard are lit up and the trees still have plenty of red and gold leaves despite that everyone seems to do shopping for the coming winter holiday season.

Thursday, August 22, 2013

Lilac paintings - Flower Bouchet, 2011

Oil on canvas 30cm x 40cm
The first painting from a series of three. Each spring - April or beginning of May -  we can't wait the lilac to bloom - we have an old one (meaning 30 years) - needing a lot of carefull pruning - with lot of violets flowers and another two -  younger - violet and white flowers. Each spring we pick flowers from them  - carefully to do not affect how they look - and make nice bouchets for our home. This year I decided to remember them on paintings too.

Lilac Paintings - Bouchet with an antique oil lamp, 2011

Oil on canvas, 30cm x 40cm
The idea of this painting comes from the game between lights and shadows on the lilac bouchet, due to a nearby floor lamp, observed by me on the evening. Much better as the floor lamp, the antique oil lamp (I have it from my aunt Ana) formed a warm and friendly light on lilac flowers, highlighted by the white lilac placed in the front.

The Shepherd - Figurative painting inspired by Grigorescu

Oil on canvas, 25cm x 52 cm
Done in oil colors is likely to reveal the eternity - the same image of a shepherd guarding his flocks of sheep is familiar to be seen today as well as a century ago on the same Romanian hills.

Resting on the Sea Shore - inspired by Grigorescu

Oil on canvas, 15cm x 25 cm
Lighted by water reflections, a young lady is resting on the sea shore.

Landscape Paintings - Fair in 1700's Bucharest.

Oil on canvas, 41cm x 28 cm
Going to a new market opened in Buchatest, Mihaela was impressed by a sketch revealing a hot and dusty day at an old market from ancient Bucharest, with loaded wagons, merchants looking for shadow around and an ice cold limonade stand waiting for thirsty customers. Everything became this oil painting.

Venice painting - street view

Oil on canvas, 49 cm x 34 cm

Lights over the shadows and clear water mirrors instead of street pavement are only a part of Venice mystery.

Marine paintings - The Fishing Boat

Oil on canvas, 49 cm x 34 cm, Own collection
I painted it together with "Dancing in the Carpentry Workshop" at the recommendation of for my uncle Tolly - a former ship's master at that time and fan of the fine arts.

Carciumarese la fereastra - pictura in ulei

Oil on canvas, aprox 25 cm x 35 cm, Own collection

Plaja insorita cu palmieri

Ulei pe lemn, 50 cm x 40 cm

Trandafiri rosii urcatori

Ulei, cutit pe lemn; 15 cm x 25 cm

Trandafiri urcatori

Ulei, cutit pe lemn; 20 cm x 35 cm

Buchet de floarea soarelui

Ulei, cutit pe panza, 50 cm x 40 cm

Tuesday, August 20, 2013

Matin brumeux sur la rivière Moselle, Epinal – France


Terrasse en face de la Eglise Saint Martin, Metz


Pont Henri de Ranconval, Metz


Basilique Saint Epvre, voir à partir de la rue Saint Epvre, Nancy


Place Stanislas, Nancy


Place Saint Louis, Metz


Bouquet de coquelicots rouges


Bouquet de coquelicots rouges